Sometimes, the philosophical and the real meet in a certain space and time. With the eyes of curious seekers, we see the world as it could be, or as it is, or as it was. Sometimes, we catch a glimpse of the meaning of touch, light, thought, of feeling—of being—by looking at the visual expressions of skilled fine artists. This is one of those times. From January 25 to February 25, Emillions Art, in association with Salomon Arts, presents Mystical Forces, an exploration of the powers that influence moments and give them form and structure at the Tribeca gallery, Salomon Arts. Six artists delve into the space between hesitation and effect, giving this invisible plane form. French Neo-Cubist Alain Beraud, […]

Part 2 of two-part series. Read Part 1 here. “In the history of art, Cubism has always been a particular artistic current. The creators of cubism, Georges Braque and Pablo Picasso and the other masters of Cubism, lived in a period that was rich in encounters. They met with great intellectuals, writers, thinkers and philosophers. These encounters influenced their research on Cubism.” These musings on the origins and progression come from the mind of the contemporary Cubism revivalist, Alain Beraud. His reach in the fine art world ever expanding, he graciously took some time to break down the now under-explored medium that transformed artistic expression in the early 20th century. Of the early masters and their work, Alain is reverent. […]

Cubism as an art genre defies literal perception. It makes us feel, at first, confusion. But then, as though ascending from a hidden-but-familiar, dark place, (or might we consider, descending a staircase) the comforting sensation of realization drifts into focus. “AH! I get it!” we might say, the longer we look. For many, Cubism occupies that defined status of being challenging to enjoy and interpret. Still, there are masters of the form with whom most would be familiar—by name if not by works. Chief among them are Pablo Picasso and Georges Braque. Their early exploration in the techniques of observing, dismantling, re-faceting and reassembling time, space and matter function as the very foundation of a genre with influences reaching all the […]