12 x 6 x 6 in. |
Harmony II
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Harmony II
Shray re-imagines her popular piece, Harmony, in her new series of works in black patina. Shray brings into stark reality the push-pull of the negative/positive space by harnessing the forces at play within the clay and bronze as well as those that surround her sculpture.
Limited edition of 8 and 2 artist’s proofs.
$4,800.00
More artwork by Shray
Sculpture
A term used to describe a visual art practice that employs three dimensions. Sculptures can be made of any material however quite often you will find wood, bronze, clay, marble, ceramic, metal and paper as the medium of choice. Sculptures can be free-standing, meaning you can walk or move around them for 360 degrees or they can be relief, meaning an image was carved on a two-dimensional surface. A relief is only partly attached to a background surface. Sculpture is one of the oldest, most durable forms of artistic expression.
Bronze
Modern bronze is an alloy composed of mostly 88% copper and 12% tin. The metal alloy has been used since antiquity for cast metal sculpture and remains the most popular medium for sculpture. Emillions artist, Shray, considers bronze a demanding material, due to its permanence and its long use throughout history.
Abstract
Abstract art is non-representational art or sculpture that does not depict elements of the natural world and signify a departure from realistic portrayal. Art from the Renaissance to the 19th century was realist and representational in nature. As European artists began to be exposed to art from other cultures, they found new ways to depict visual language. By the late 19th century, abstract forms and works began to appear in the art world.
More about Shray
Bronze sculptor, Shray, is one of the few working artists today who employs the subtractionist technique, where the artist finds the form in the clay as opposed to adding clay to an armature. Much like the technique of carving, Shray works with lines and shadows of the block, thoughtfully eliminating material from the block as […]
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